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Gal Gadot Tries Taco Bell For The First Time And It’s An Eye-Opener

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Gal Gadot didn’t require the Lasso of Truth to give her opinion of Taco Bell after she tried it for the first time on Monday.

The “Wonder Woman 1984” star and “The Tonight Show” host Jimmy Fallon introduced new foods to each other ― eggnog, Ho Hos and Taco Bell for her; gefilte fish and sufganiyot (basically Hanukkah jelly doughnuts) for him.

The Israeli actor’s face lit up when she crunched into one of the fast food chain’s tacos. “Mmmmmmmmm,” she said, giving the thumbs-up. “It’s the best so far. Flavorful. It’s salty.”

While the movie superhero was clearly ready to “Live Mas,” Fallon wrestled with the prospect of eating gefilte fish. It’s a polarizing dish of ground fish formed into patties or balls that’s eaten in some Jewish households, often at Passover. He had a trash can nearby in case, you know. 

Watch what happens above.





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Stephen Colbert Gives Trump’s Ugly ‘Death Wish’ Threat A Brutal Reality Check

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In a post on his struggling social media site, Trump said McConnell has a “DEATH WISH” for supporting “Democrat sponsored Bills.”

A Trump spokesperson later clarified that it was a “political” death wish. But Colbert wasn’t moved.

“Okay, but it’s never great when you have to clarify that your death wish is a metaphor,” Colbert said, then offered up an example to show the absurdity of it: “I want this mob to march on my opponent’s house. Figuratively. Which is metaphorically at 471 Pine Cone Road, and leave a severed horse’s head in his bed ― as an allegory for his head.”

The “Late Show” host also spotted some “overt racism” in Trump’s latest post in his Monday monologue:





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Florence Pugh Rocks Another Sheer Valentino Look After Nipple Hoopla

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The “Don’t Worry Darling” actor stepped out at Paris Fashion Week in a stunning two-piece sheer ensemble embellished with gold sequins. She wore nude briefs beneath the Valentino skirt and nothing under the matching top, finishing off the outfit with gold jewelry, bronzed makeup and a wet hair look.

In July, Pugh wore a see-through Valentino design to the brand’s haute couture show in Rome, attracting negative and sexist comments about her exposed breasts.

Responding to the reaction at the time, Pugh told critics to “grow up.”

“Listen, I knew when I wore that incredible Valentino dress that there was no way there wouldn’t be a commentary on it. Whether it be negative or positive, we all knew what we were doing,” she wrote on Instagram at the time.

“It isn’t the first time and certainly won’t be the last time a woman will hear what’s wrong with her body by a crowd of strangers, what’s worrying is just how vulgar some of you men can be,” she wrote.

“I’m very grateful that I grew up in a household with very strong, powerful, curvy women. We were raised to find power in the creases of our body. To be loud about being comfortable. It has always been my mission in this industry to say ‘fuck it and fuck that’ whenever anyone expects my body to morph into an opinion of what’s hot or sexually attractive. I wore that dress because I know.”

“Fuckingfreethefuckingnipple,” she signed off the post.

Both looks were put together by Pugh’s stylist, Rebecca Corbin Murray.





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Here’s Why Cecily Strong Was Absent From ‘SNL’ Opening Credits

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Viewers can rest assured that Cecily Strong is still gainfully employed by “Saturday Night Live” despite an opening credits omission.

Season 48 of “SNL,” which premiered Saturday, got off to a rollicking start thanks to host Miles Teller and musical guest Kendrick Lamar. Still, Strong was notably absent from both the show and its opening credits, prompting many to question whether she’d departed the comedy show without fanfare.

Turns out that’s not the case. An “SNL” cast member since 2012, the comedian is currently appearing in the play “The Search for Signs of Intelligent Life in the Universe,” which opened last week at the Mark Taper Forum in Los Angeles.

“SNL” creator Lorne Michaels is a co-producer of the one-woman comedy, which concludes its run Oct. 23. Entertainment Weekly and TV Insider confirm that Strong is expected to resume her “SNL” duties in New York shortly thereafter.

Cecily Strong as Kimberly Guilfoyle and Mikey Day as Donald Trump Jr. on the March 5 episode of “Saturday Night Live.”

Fans’ concerns regarding Strong’s future on “SNL,” however, were justified. Michaels previously hinted that Season 48 would be a “transition year,” and he wasn’t kidding.

Cast members Aidy Bryant, Pete Davidson, Kate McKinnon and Kyle Mooney collectively announced their exit from the series at the conclusion of Season 47, which wrapped in May. Last month, it was confirmed that Aristotle Athari, Alex Moffat, Chris Redd and Melissa Villaseñor were also leaving, bringing the tally of departing cast members to eight.

As a 10-season “SNL” veteran, Strong is one of the longest-running cast members in the series’ current lineup.

Last year, she won praise for her impressions of Fox News host Jeanine Pirro, Rep. Marjorie Taylor Greene (R-Ga.) and Donald Trump Jr.’s fiancée, Kimberly Guilfoyle.


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Will Smith Returns To The Big Screen In Gripping First ‘Emancipation’ Trailer

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Will Smith’s next film will be released this year after all, with Apple Studios announcing that “Emancipation” is arriving in theaters next month, just in time for the upcoming awards season.

The historical drama from “Training Day” director Antoine Fuqua will now open in theaters on Dec. 2 and be made available to stream on Dec. 9, contrary to reports that claimed the film would be delayed until 2023.

“Emancipation” is Smith’s first major project since he walked onstage during the Oscars ceremony in March and slapped presenter Chris Rock over a joke the comedian made about Smith’s wife, Jada Pinkett Smith.

Will Smith attends the 2022 Vanity Fair Oscar Party.

Future Publishing via Getty Images

Since then, Smith has apologized for his actions and voluntarily resigned from the Academy, which banned him from attending the Oscars for the next decade. However, he can still be nominated for an award should his Hollywood peers deem him worthy of one.

The release of “Emancipation,” which completed production just a month before the infamous awards show moment, was initially delayed in the fallout from Smith’s altercation with Rock, upending plans for a major awards season push behind Smith’s performance, which is already drawing praise.

But Apple Studios, which acquired the film for a record-breaking $120 million, has apparently changed course — and the gripping first trailer makes a powerful case as to why.

Inspired by real-life events, “Emancipation” stars Smith as Peter, a man who escapes slavery in Louisiana, journeys north and joins the Union Army during the Civil War. Photos of his whipping scars, including one known as “The Scourged Back,” become some of the most widely circulated at the time and ultimately help expose the brutality of slavery to the world.

The trailer unveils Smith’s powerful performance in the film, which also stars Ben Foster, Steven Ogg and Charmaine Bingwa.

“I will not be afraid. What can a mere man do to me?” Smith says in the clip amid flashes of Civil War battlefields and his character evading slave hunters through the swamplands. “I will look in triumph at my enemies.”

During a private screening of the film over the weekend, Smith gave his first comments about the period drama to a crowd at the Congressional Black Caucus Foundation’s 51st Annual Legislative Conference.

“Throughout my career, I’ve turned down many films that were set in slavery. I never wanted to show us like that, you know, and then this picture came along, and this is not a film about slavery,” Smith said, according to The Hollywood Reporter. “This is a film about freedom. This is a film about resilience.”

The screening was the “King Richard” star’s first major public appearance since he broke his monthslong silence earlier this summer in an apology video regarding the Oscars slap.

Watch the trailer for “Emancipation” below.





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John Oliver Reveals ‘Super F**ked Up’ History Museums Hope You Never Learn

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Some of the world’s leading museums are filled with plundered and stolen goods ― and John Oliver of “Last Week Tonight” has had enough.

“If you are ever looking for a missing artifact, nine times out of 10 it’s in the British Museum,” he pointed out. “It’s basically the world’s largest ‘lost and found,’ with both ‘lost’ and ‘found’ in the heaviest possible quotation marks there.”

A prime example: the Elgin Marbles, aka the Parthenon Marbles, taken from Greece in the 19th century by Lord Elgin and currently in the British Museum.

“They weren’t lost. They were taken, which is clearly worse. It’s like being unable to find the last puzzle piece and learning that you didn’t actually misplace it,” he said. “A British earl snuck into your house, stole it, and then sold it to a museum over 1,000 miles away.”

Oliver slammed the “unbelievably patronizing” arguments of those who defend the British Museum and other repositories of stolen goods. Some claim the objects were taken in a different time ― and that means there’s a different context to consider.

But, as Oliver pointed out, British Prime Minister William Gladstone in 1868 said he “deeply lamented” objects looted from Ethiopia by the British Army and called for their return.

“He was saying that in 1868!” Oliver said. “We didn’t even know how to fix a UTI without leeches back then, but we knew that raiding other countries for their shit was ‘deeply lamentable,’ which is British for ‘super fucked up.’”

See his full takedown below. And be sure to stick around for a tour of the “Payback Museum,” featuring Kumail Nanjiani:





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Bella Hadid Stuns As Dress Is Sprayed Onto Her Body At Paris Fashion Week

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Supermodel Bella Hadid stunned audiences at Paris Fashion Week on Friday when she stood on the catwalk topless, clad in only underwear, as a dress was sprayed onto her bare skin.

The 25-year-old moved slowly while three people used spray guns to coat her with a white, weblike material. Then, a fourth person sculpted the substance into an off-the-shoulder dress, and complemented it by cutting a high slit by her legs.

Hadid then walked the runway in the newly created fabric dress to close out the Coperni show for their spring-summer 2023 line at the Musée des Arts et Métiers in Paris.

Coperni, a Parisian fashion label, posted a video of Hadid’s dress formation on Instagram. The magical moment was viewed more than 273,000 times, and went viral across the internet.

Coperni owners Sébastien Meyer and Arnaud Vaillant told Vogue before the show on Friday that the inspiration for the dress came from wanting to merge fashion and technology.

“It’s our celebration of women’s silhouettes from centuries past,” Vaillant said. “And we wanted to update our aesthetic in a more grown-up and scientific way, too,” Meyer added.

The spray-on fabric used in the dress creation was developed by London-based fabric technology company Fabrican, according to The New York Times. After the fabric is sprayed, it hardens into wearable material.

Hadid thanked Coperni and the fashion duo on Instagram, saying “I love you,” and there was “no rehearsal, no nothing, just passion.”





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Nicole Kidman’s Iconic AMC Ad Gets Even More Culty In ‘SNL’ Parody

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If we come to AMC theaters for magic, then we depend on “Saturday Night Live” to parody it, with Chloe Fineman perfectly recreating Nicole Kidman’s iconic commercial with a cultish twist.

What began as a simple ad campaign to encourage moviegoers to return to theaters after pandemic-era shutdowns quickly became a full-blown pop culture phenomenon. The Oscar winner’s overly sincere musings about the power of cinema took on immediate meme status with fans emblazoning her awestruck face on T-shirts, as well as standing, cheering and reciting the famous “heartbreak” line aloud in theaters.

During the Season 48 premiere of NBC’s long-running sketch series over the weekend, Fineman hilariously mimics Kidman’s Australian accent and dramatic hand gestures (yes, we get the clap), as she slinks into an AMC theater on a cold, rainy evening.

After frightening fellow moviegoer Kenan Thompson with all-too-direct eye contact, Fineman’s Kidman then launches into the oft-quoted line: “Heartbreak feels good in a place like this.”

Her message brings the entire theater to its feet, with the adoring audience saluting the screen and chanting the line over and over again, which, naturally, imbues Kidman with supernatural powers. Soon enough, she’s become possessed by a cinema-loving demon, as lightning shoots through her body and she starts levitating above the seats.

But, ultimately, she’s just there to enjoy a movie and revel in that indescribable feeling we get when the lights begin to dim and … well, you know the rest. Thompson, however, isn’t as quick to brush the moment aside, remarking, “What the fuck just happened?”

As for the real commercial, it proved to be so popular that Kidman has renewed her commercial contract with the theater chain and is set to appear in a sequel coming soon to an AMC near you.

“I got a text from the chairman of AMC about a month ago asking me if I would write the next one, and of course the answer to that is yes,” screenwriter Billy Ray, who helmed the first ad, told Vanity Fair earlier this year. “It’s already written.”

“Of course, it’s with Nicole,” he added. “I’m not doing it without Nicole.”





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